Showing posts with label landscape. Show all posts
Showing posts with label landscape. Show all posts

Monday, 21 January 2013

Luring Landscape Images of Ladakh


The Trans-Himalayan region of Ladakh has no dearth of snow clad Mountains, brooks, meadows and planted trees wherever one traverses. The mountain texture and color is varied with sky tone deep blue in early summer, the opportunity of photo shooting the topography is so enormous that one finds difficult put down his camera for a moment. It is rather difficult to choose the best images out of my collection for posting. Twenty one images have been chosen for this photo essay. Many snow view images have been left out for posting in future for next post under a different photo essay heading. 

Image 1 Date: 24.5.2010
Caption: Soma Gompa & Castle at Tsemo
Description: Leh the capital City and focal point of Ladakh offers the tourists some astounding landscape views from most of the hotels where they are holed up. Soma Gompa & Castle at Tsemo visible on the hill is worthwhile trekking spot, which we kept it for the day after next.   


Image 2 Date: 25.5.2010
Caption: Grandeur On Way to Shey Village & Monastery
Description: After one day of rest and acclimatization, the next day is for half day sight-seeing of Gompas near the city of Leh. On the jeep journey, nearing Shey monastery this captivating view is worthwhile savoring and capturing through the lens.


Image 3 Date: 25.5.2010
Caption: Contrast in topography
Description: This is a close-up view of Image 2. The near and far have a contrasting topography. The eye soothing greenery of the meadows is radically different from barren mudflats in mid-ground and cluster of greenery on foothill of rugged hills to bring up the rear. It is noteworthy to take notice of haze free and pollution free atmosphere in early morning to give a depth to this landscape.


Image 4 Date: 25.5.2010
Caption: Chortens (Stupa) at Shey village
Description: On the way up the stone steps of the Shey monastery, looking down, the view of chortens in one row, surrounded by greenery and backdrop of nearby hill and distant snow clad mountains make a captivating scene.


Image 5 Date: 25.5.2010
Caption: Textured Hill
Description: At the end of tour of four monasteries, driving back to Leh, the hill texture nearby continued to mesmerize us, the distant snow covered hills and blue sky brought up the perfect backdrop. The river Indus make the foreground.


Image 6 Date: 26.5.2010
Caption: Landscape On Way To Pangong Tso
Description: One of the most important jeep safaris which the visitors to Ladakh is not likely to miss is that of Lake Pangong Tso. In early summer one goes through high altitude pass of Chang-la. Beyond Chang-la the hills on both side of the road with milky white frozen water bodies are elements of attraction. The snow peaks make a nice backdrop beyond the textured hills.


Image 7 Date: 26.5.2010
Caption: Crowning glory
Description: Way to Pangong Tso by jeep keeps one glued to varied brown tones of the hills around. A hill with crown filled with fresh snow with a deep blue sky make a picture worth the effort of journeying on the hilly terrain.   


Image 8 Date: 26.5.2010
Caption: Pangong Tso – Distant View
Description: Pangong Tso is viewed from jeep from quite far off between two hills. All the four layers of hills starting from foreground to back ground have different hues and texture worth noticing. The blue water of the lake makes one looking forward to one of the most scenic brackish water lakes in Ladakh.


Image 9 Date: 28.5.2010
Caption: Gompa at Kidmang
Description: On way to lake Tsomoriri a view of Kidmang village in foreground and colorful looking Gompa on hill slope, with element of soothing greenery make an endearing landscape.


Image 10 Date: 29.5.2010
Caption: Nomad’s Land at Korzok
Description: The return trip from Tsomoriri at Korzok was through the pastures of Nomadic land. The shepherds’ tents and sheep scattered in foreground is in stark contrast to the hardened snow patch in mid-ground and snow splattered hill on back drop.


Image 11 Date: 29.5.2010
Caption: Sculptured Hill
Description: The view of a barren rocky hill appears to have been sculptured with a combination of subject matter – a nature’s unique creation.


Image 12 Date: 30.5.2010
Caption: Picture Post Card Beauty
Description: Barely 14 km from Leh takes one Stok village which is one of the most scenic places in Ladakh. The serenity and tranquility of the places charm everybody.


Image 13 Date: 30.5.2010
Caption: Green pathway
Description: The pathway with willow trees leads the eye to distant hills of different texture and hue at Stok village.


Image 14 Date: 30.5.2010
Caption: Way to Hemis National Park
Description: Trekking to Hemis National Park begins at Stok. A few kilometer uphill trek towards base camp of Stok Kangri mountain base is likely to be rewarded with view of wild life.
The lone tented eatery en route with a snow mass left over from winter with back drop of rugged hill greeted us.


Image 15 Date: 30.5.2010
Caption: Way to Stok Palace
Description: A 2 km drive through tree lined Stok village gives an enticing view of Stok Palace, aided by some fluffy white clouds to give a depth to the landscape.


Image 16 Date: 31.5.2010
Caption: Nature’s gate to treasure
Description: The other end of Hemis National Park starts from Zingchen. A trek of couple of km through dried river bed brings one to the opening between two rockey walls for us to squeeze through. Apart from visitors desiring to see wild life this route is taken by adventurous trekkers for Rumbak valley trek. We could not undertake it because of excess snow fall in upper reaches on this trek route.


Image 17 Date: 2.6.2010
Caption: Cold desert
Description: The jeep safari to Nubra valley takes one through the region of sand dunes of Diskit. Diskit along with Hunder are known as the cold desert of Ladakh famous for Bactrian camels with double humps. The wild Bactrian camels nonchalantly walking on sand for a destination of their own come as a surprise live element in this frame.


Image 18 Date: 1.6.2012
Caption: Rangdum Landscape
Description: On my second trip to Ladakh, the focus was Western Ladakh comprising of Suru Valley and Zanskar valley. Starting from Kargil, Rangdum being the first halt at the end of first day at the extreme end of Suru valley. The topography contains meadows, scattered cottages with firewood stacked on top and the distant snow clad hills. The climate was extremely cold plummeting to sub-zero at night.  


Image 19 Date: 2.6.2012
Caption: Passing Through Zanskar Valley
Description: The second day's trip takes one through Zanskar valley passing through Penzi-la pass. Beyond Penzi-la the landscape is serpentine road, water mass and the distant hills. The route terminates at Padum – head quarter of Zanskar region.


Image 20 Date: 5.6.2012
Caption: Lamayuru Monastery Clutching Hill
Description: Kargil to Leh jeep journey gives one to have astounding view of Lamayuru Monastery on the hill side. The vegetation below is in stark contrast breaks the monotony of brown hill and gompa.


Image 21
Date: 6.6.2012
Caption: Rusty Rock
Description: Brown Rocky hills with rust colored coating gives an interesting back drop to the Tak Thog Gompa top as one climbs up.

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Tuesday, 6 November 2012

Photo Color Saturation For Enhancement

In nature, every possible color in visible spectrum is perceived with the naked eye. Any color predominating means, the object is not absorbing that particular color and reflects most of it. In a haze free sunlit day, the sky looks more blue and hence more color saturated than would be on a haze filled cloudy day. During sunrise and sunset, the colors like yellow and orange are considered to be saturated. In outdoor, light changing every moment, the color saturation on any object changes. In color photography when some frames look all black and gray, the color saturation is at its lowest.

In a given outdoor scene, human brain does the required correction in deficiencies of color saturation. But, camera mechanically captures the scene as it is and sometimes resulting scene on computer screen is not all that good. Increasing Photo Saturation is most felt in outdoor objects of any kind, due to the variation in sunlit images at various times of the day. Sometimes atmospheric haze also cuts down the color saturation to a great extent. 

A discerning photographer waits patiently, for that particular moment, for capturing a frame, with a color saturation of his choice. Yet, a traveling photographer rarely waits for the best possible moment to capture his image because of paucity of time. The best recourse left for him to use a photo editor in his computer, to render his frame to have a color saturation of his choice. 


Coming to Microsoft Office Picture Manager, one opens the file and clicks edit…, then clicks Color. On right hand side three scales appear for amount, hue and saturation. Thus one is ready to edit the photo for increasing or reducing color saturation. Thereafter he saves the photo in Save As…  mode, to enable him to preserve the original in case he changes his mind and wants to re-edit the whole frame again. After he closes the MOPM window, he will see a question being asked whether he wants to save the changes. Since the photo has already been saved, one has to click no button. Otherwise the original photo will also get changed as per the editing. A few frames are added for demonstration purpose.

Frame 1
Following frame is a landscape as seen from a hill top during Madmaheshwar Yatra. The frame shows the meandering river in a plateau between two hills covered in haze. Such frames look pleasing to eye but one is disappointed when one looks at the photo on computer screen.

 
A photo editing for increasing color saturation by fifty points or + 50 on saturation scale, the photo improves to some extent. 


 Frame 2
A Russet Sparrow captured in lens at Patal Bhuvaneshwar, looks getting merged with the background. 


To make it stand out, increasing color saturation by 50 points or + 50 on color saturation scale, the bird stands out much better against the background. 



On outdoor portraits taken on a sunlit day, the color tones on face are greatly varying on sunlit portion and shaded portion. The darker tones on shaded area softens with a decrease of Color Saturation in Photo Editor. 

Frame 3
In Following frame the portrait has been shot in a diagonally back lit condition. The skin tone differs in lit portion and unlit portion to a great extent. 


A reduction of 20 points on Color saturation scale or – 20, the portrait can be seen with softened skin tone. The background color becoming less saturated, the portrait stands out.


Caution : As in any form of Photo Editing, overdoing the color saturation or under doing it, will render the picture becoming worse than the original. Hence one needs to have patience to get the frame as he desires for best possible enhancement.
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