Best of Himachal Pradesh In Early Summer

Between last week of April and first week of May this year(2014) a visit through Kinnaur, Spiti and Pin valley in Himachal Pradesh was unique in a sense that the weather – a very important element in Himalayas, remained sunny and there were no obstacles anywhere on road. However, we missed out on few destinations as snow was not cleared for the vehicular traffic to resume. Following frames have been selected based on visual appeal and photographic clarity and a few lines in form of Photo Essay.

Frame 1 Apple Blossom

A drive of 342 km from Chandigarh with a night halt at Narkanda took us to Kalpa - the finest destination in Kinnaur valley. Apart from great Himalayan vista, it is famous for its luscious apples. In early summer the profuse flowering of apple trees everywhere across the habitat makes the surroundings lively.    

Frame 2 Kinnaur Kailash at Sunset

Most sought after visual at Kalpa is Mt. Kinnaur Kailash (20,000’). At sunset the golden glow on its peak mesmerizes the tourists.

Frame 3 Cherry Blossom

Kothi – a small village at a distance of 5 km from Kalpa is famous for Chandrika Devi Temple. By the side of temple, soothing green paddy cultivation plot is interspaced with blooming apple trees. More conspicuous are a couple of blooming Cherry trees adding color to landscape with a backdrop of snow-capped hills.

Frame 4 Nako lake

A drive of 100 km from Kalpa took us to Nako village. At 12,000’ it would rank as highest altitude destination in Kinnaur valley. Tourists savor the beauty of lake and experience the village life by taking a small walk. The Gompas located at the extreme end of village is worth while exploring. Famous are potato fields of Nako, where each fully grown jumbo potato weighs  more than 500 grams.  

Frame 5  Confluence

Leaving Nako behind and driving along for 115 km we came to the fringes of Spiti valley. At 3 km mark from Dhankar (12,774‘), one gets the best visual – very shallow Pin and Spiti rivers  merge and flow downstream  in  unison as Spiti river. 

Frame 6 Dhankar Gompa

It is not surprising to hear from fellow tourist of seeing too many Gompas for comfort in the higher altitude of Himachal. The Gompas, apart from serving the religious interests of Buddhists, seen from a photographer’s point of view, ‘break the monotony of the vegetation-less rugged hills.’ The red and white colored Dhankar Gompa clutching the hill slope add an element of balance to the landscape.

Frame 7 Pin Valley Drive

The Pin valley journey from Dhankar to Sagnam via Kungri has a combination of good and not so good roads. The scenario changes every minute and we were in full of anticipation as to what the next stretch of valley would reveal!

Frame 8 Glacial Lake

We had a bumpy ride on a mud-stone track along the Pin valley and came across a glacial lake formed due to mud slide from adjoining hills, blocking partially the Pin river flow.

Frame 9 Pin Valley View from Kungri

While traversing through Pin valley a halt at Kungri village gave us a bird’s eye view of Pin river, with accumulated snow on both sides and backdrop of snow-splattered hills.

Frame 10 Pin Structure

Departing from Kungri, it was a sheer chance to have given lift to a villager from Khar village, who drew our attention to Pin structure near his village. There is a possibility of Pin river and Pin valley acquiring their name from it. 

Frame 11 Mute Spectators

Beyond Kungri, the near vegetation-less tract of Pin valley for a change reveals the leafless trees, bearing the brunt of harsh winter and still surviving.

Frame 12 Bridge to Sagnam

We reached Sagnam - our final destination in Pin valley by crossing a bridge over oasis of snow.

Frame 13 Field work

With the advent of summer, the snow cover getting lifted off the cultivation plots, tilling is a priority among the villagers of Sagnam growing green pea, barley and buck wheat.  

Frame 14 In the lap of Himalayas

Sagnam is a village with picture post card beauty comprising, the cottages, the snow melt forming rivulets, the backdrop of snow-clad hills and villagers cultivating the agricultural plots.

Frame 15  Temple & Gompa

From Sagnam we have a 32 km drive to Kaza - the subdivisional headquarters of Spiti valley. Here Buddhisma and Hinduism eo-exist. From balcony of hotel we see Hindu temple at a short trek up the hill and Buddhist monastery at the base.  

Frame 16 Road discovered

Most of roads at Kaza village and market are narrow mud tracks. By sheer chance, we discovered a broad road lined with trees, leading our eyes to distant snow-covered hills.

Frame 17  Kaza landscape

At outskirts of Kaza, the vegetation-less landscape of Spiti valley comprise of snow-melt forming rivulets leading our eye to few cottages doting the landscape completing  the scenario.

Frame 18   Dream House

Some distance from Kaza, a beautiful looking cottage located in a near perfect pentagonal plot, creates an identity of its own.

Frame 19 Poetry in Sand

The river bed at the outskirts of Kaza is a picture of random pattern on sand created by snow-melt flowing downstream and changing its course at random throughout summer till snowfall in winter. The distant settlement is that of Rangrik village.

Frame 20 Langza Village

Driving from Kaza for higher elevation destinations, Langza village located on a clearing with scattered cottages below the Buddha statue standing like sentinel and backdrop of snow peaks looks gorgeous.  

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Small Bird Photography – The Easy Option

Small birds of size as small as sparrow or even smaller are a great deal of frustration for catching in the lens. The hyperactive creatures are too fidgety to get stationed in one place. It does become extremely difficult to focus and frame it and press the shutter at the appropriate time with a steady hand. Ninety nine chances out of hundred they would have flown away or just took off while one presses the shutter. If at all the bird is in the frame, the image invariably looks hazy and out of focus. An expert photographer will select a higher shutter speed as much it permits him to get a good image by freezing the shot to make it clear. Even some photographers take multiple pictures of the same frame (read bird ) where the shutter is kept pressed and then multiple images are captured as per camera’s default setting of specific number of frame per second, thus enabling the person to choose and select the image of his choice.

As author I have no pretensions of having the expertise to take small bird images by using digicams. My bird photography began by taking video clips through Handycam and occasionally taking the frame out of the clips in video editor to get an image of the bird. Here I will present some images of the small birds created out of two Handycams giving videos and images of different resolutions. Handycams typically gives 30 frames per second allowing a wide range of bird frames to choose from.

Handycam Sony DCR–SR 47: Video Resolution 640 x 480 pixels

Image created by Microsoft Movie Maker Video Editor

Image size: 53.5 KB / 41.8 KB / 53.5 KB / 53 KB

          

Handycam Sony HDR-CX 240 E: Video Resolution 1440 x 1080 pixels

Image created by Sony PlayMemoriesHome Video Editor

            Image size range: 1.1 MB to 1.3 MB

 

 

Comparing two Handycams for qualities of their images, the High definition frames from second Handycam gives a reasonable quality pictures, which perhaps will be far difficult to achieve by lay photographers by taking still images by digicam. Check it out!

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One Image & Many Compositions - Part 1

In 2006, I used a 3.1 MP digicam and was fairly satisfied to get a well composed photo in my first attempt – or took multiple exposure of same scene with a different composition and different settings to get image worthy of showing in full screen. Past few years saw a rapid increase in Mega Pixel rating of the digicam. It is rather impossible to get a camera with less than 8 MP nowadays. An 8 MP photo will give an image of 2 to 3 MB each which is really not necessary. Moreover, the memory stick gets exhausted too fast for comfort. One gets over this problem of high MP by setting the digicam at lower MP and then goes ahead for photo shooting. But, then one has really not used the camera to capacity for which it is designed. Those who take their picture with high optical zoom and also make use of digital zoom do make use of the full pixel rating. In such an attempt a tripod mounting of digicam becomes a necessity. One way of making full pixel capacity of camera is to take a picture and use the photo cropping to get multiple meaningful images. Such an exercise is demonstrated as below.

The demo image is one I captured at Pin valley, Himachal Pradesh, in May 2014. The camera is Canon IXUS 132 with 16MP and 8X optical zoom. Image size is 2.47 MB with 3264 x 2488 pixels with no photo editing what so ever.

Image Composition 1

Image size 278 KB with 1600 x 1200 pixels & 20 points color saturation.

Image Composition 2

Image size 561 KB with 1600 x 1200 pixels with 10 points color correction

Image Composition 3

Image size 345 KB with 800 x 600 pixels with 20 points color saturation

Image Composition 4

Image size 345 KB with 800 x 600 pixels with 20 points color saturation

Image Composition 5

Image size 345 KB with 1200 x 900 pixels with 20 points color saturation

Image Composition 6

Image size 600 KB with 1600 x 1200 pixels with 20 points color saturation

* All composed images are obtained after editing for cropping and color saturation.

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